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Tracks 13 and 14 were part of an EP single entitled The Honey Button. The image is me, totally immersed by the wonderful sound of… music. Thanks to expert remastering by Raymond Steeg it now sounds a lot better. I mixed and produced the album myself (except for tracks 2, 9 and 16, where Edward helped out) and it came out sounding all muddy. Edward Ka-Spel played the keyboard sequence on Scars On A Windowpane. I hope she doesn't mind its inclusion here - it's such a beautiful song. All songs were written and performed by me, except Verdi Cries, which Natalie Merchant wrote. Still, I was terribly proud when the LP was finally released on Seven In A Broom In The Sky in November 1993. The second test pressing wasn’t much better, but we simply couldn't afford a third one. However, the first test pressing sounded horrible and was duly rejected. We spent a fortune on the design for the cover, which came out really good. It was Frans de Waard who suggested I should make a vinyl album out of them. Some songs were recorded, some half-recorded, most were half-forgotten. All of the others are pretty decent.After my first proper steps into the world of recorded music with the release of the cassette The Garden Of Perpetual Dreams, I had written dozens of songs, mostly based on keyboard sequences using an ancient but trustworthy Ensonic ESQ 1 synthesizer. It can get quite annoying having to deal with those enemies all the time, especially in the third level, which I actually didn’t like at all. Just as the different levels are, they are mostly quite different as well. Only at the end of the level will you be able to “kill” him. When you have a nemesis enemy who is after you and you can’t kill him, you can sometimes make him flee for some time. The game consists of a hub level, 4 main levels, and a last shorter “boss”-level. The high price is justified because the quality of the game is pretty high. It’s a very long game that will take you over 10 hours to complete.

A lot of different things can be found in the game. It mixes a lot, but I would say it is mostly an adventure.

A good mix of horror, adventure, Metroidvania, puzzle, platformer, and shooter, maybe a bit of survival horror as well.

Each character has its own theme, and each one is absolutely flawless. Don’t even get me started on the music… it’s just so good. I’m going to play this game again because I had so much fun playing it. I absolutely loved figuring out their stories, and I would love to see more of them. I’m usually not good at puzzles, but the ones in the game are really good and understandable, and not frustrating, and the characters are so well written. The story is very interesting and heart-wrenching in a good way.

I am a huge fan of this game and I hope they make a second part.

You can’t escape the mind of the one place you can’t seem to get out of. In Sound Mind is an imaginative first-person psychological horror with frenetic puzzles, unique boss fights, and original music from The Living Tombstone.

Graphics: Nvidia GeForce GTX 1060 / AMD Radeon RX 480.

Graphics: Nvidia GeForce GTX 960 / AMD Radeon R9 280.

IN SOUND MIND ALL VINYLS FOR FREE

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